\version "2.20.0"
\sourcefilename "en/included/display-predefined-fretboards.ly"
\sourcefileline 0
\include "predefined-guitar-fretboards.ly"
\paper {
#(set-paper-size "a4") line-width = 15.0\cm indent = #0
}
verseI = \lyricmode {
Par -- don me boy, is that the Chat -- ta -- noo -- ga Choo Choo, track twen -- ty nine? Boy, you can gim -- me a shine. " " You leave the Penn -- syl -- va -- nia sta -- tion bout a quar -- ter to four, read a mag -- a -- zine and then you're in Bal -- ti -- more. Din -- ner in the din -- er, noth -- ing could be fin -- er than to have your ham -- 'n' -- eggs in Car -- o -- li -- na. Woo, woo, Chat -- ta -- noo -- ga there you are. There's gon -- na be a cer -- tain par -- ty at the sta -- tion Sat -- in and lace. I used to call fun -- ny face. She's gon -- na cry un -- til I tell her that I'll nev -- er roam, so Chat -- ta -- noo -- ga Choo Choo won't you choo choo me home.
}
verseII = \lyricmode {
I can af -- ford to board a Chat -- ta -- noo -- ga Choo Choo, I've got my fare and just a tri -- fle to spare. " " " " " " " " When you hear the whis -- tle blow -- in eight to the bar, then you know that Ten -- nes -- see is not ve -- ry far. Sho -- vel all the coal in, got -- ta keep it roll -- in'
}
melody = \chordmode {
a1 a a a b:m7 e:7 a b2.:m7 e4:7 a1 a:7 d2 a:7 d a:7 d a:7 d d:7 g b:dim7 d b:7 e1:7 e2:7 a:7 e1:7 e4:7 a:7 d e:7 a1 a a a b:m7 e:7 a b2.:m7 e4:7 a1 a2 a:7 d1 f2.:7 b4:7 a2 fis:m b:7 e:7 a e:7 a1
}
theFretBoards = \chordmode {
\override FretBoards.FretBoard #'size = #'0.95
\override FretBoard #'(fret-diagram-details finger-code) = #'none
\set chordChanges = ##t
\melody
}
theChords = \chordmode {
\set chordChanges = ##t
\germanChords \melody
}
staffMelody = \relative c' {
\key a \major
\clef "treble"
\time 4/4
\repeat volta 2 { cis8. d16 dis8. e16( e2 e8.) e16 fis8. gis16 a8. b16 a8. cis,16 fis8 e4.( e2 e4) r4 fis8. e16 cis8. b16( b1) r8. fis'16 fis8. fis16 fis8. e16 cis8. a16( } \alternative { { a1 a2.) r4 } { a1 } } r4 a'4 a a \repeat volta 2 { a8. fis16 d8. a16 g'8. e16 cis8. a16 d8. e16 fis8. a16( a2) a8. fis16 d8. a16 g'8. e16 cis8. a16 d8. e16 fis8. a16( a2) d8. d16 cis8. d16 cis8 b4. a8. a16 gis8. a16 g8 fis4. } \alternative { { f8. f16 f8. f16 f8. d16 b8. d16 f4 f f8 e4. } { f4 f f8. d16 b8. d16 } } f8.( d16) e4 d4 r4 \bar "||" cis8. d16 dis8. e16( e2 e8.) e16 fis8. gis16 a8. b16 a8. cis,16 fis8 e4.( e2 e4) r4 fis8. e16 cis8. b16( b1) r8. fis'16 fis8. fis16 fis8. e16 cis8. a16( a1 a2.) r4 cis8. d16 dis8. e16( e2 e8.) e16 fis8. gis16 a8. b16 a8. fis16 e8 d4 a'8( a2 a2) r4 b4 cis8. c16 b8. a16 cis8 a4. cis4 a cis8. c16 b4 a1( a4) r2.
}
\book {
\header {
tagline = ##f dedication = "jazz"
title = \markup \center-column { "Chattanooga Choo Choo" }
poet = \markup { "Hudba Harry Warren, text Mack Gordon" }
meter = \markup { \tiny \italic "Moderato swing" }
composer = "(Doprovod: 11)"
}
\score {
<<
\override Score.SystemStartBar #'collapse-height = #1
\context ChordNames { \theChords }
\context FretBoards { \theFretBoards }
\new Staff {
\context Voice = "voiceMelody" { \staffMelody }
}
\new Lyrics = "lyricsI" {
\lyricsto "voiceMelody" \verseI
}
\new Lyrics = "lyricsII" {
\lyricsto "voiceMelody" \verseII
}
>>
}
}