\version "2.20.0"

\sourcefilename "en/included/display-predefined-fretboards.ly"
\sourcefileline 0
\include "predefined-guitar-fretboards.ly"


\paper {
  #(set-paper-size "a4") %paper-height = 14.85\cm
  line-width = 17.5\cm indent = #0
}

verseI = \lyricmode {
  \set stanza = #"1." " " He -- llo dark -- ness, my old friend, I've come to talk with you a -- gain, be -- cause a vi -- sion soft -- ly creep -- ing, " " left its seeds while I was sle -- ep -- ing, and the vi -- sion " " that was plant -- ed " " in my brain " " still re -- mains with -- in The Sound Of Si -- lence. \set stanza = #"4." "\"Fools.\"" Said I, "\"You" do not know si -- lence like a can -- cer "grows.\"" "\"Hear" my words that I might teach you. Take my arms that I might reach "you.\"" But my words like si -- lent rain -- drops fell, and echo -- ed in the Wells Of Si -- lence. \set stanza = #"5." And the peo -- ple bowed and prayed to the ne -- on god they made. And the sign flashed out its warn -- ing. In the words that it was for -- ming, and the signs said "\"The" words of the pro -- phets are wri -- tten on the sub -- way walls and ten -- e -- ment "halls.\"" And whis -- per'd in The Sound Of Si -- lence.
}

verseII = \lyricmode {
  \set stanza = #"2." In rest -- less dreams I walked a -- lone " " nar -- row streets of cobb -- le -- stone, " " 'neath the ha -- lo of a street lamp, I turned my col -- lar to the cold and damp. When my eyes were stabbed by the flash of a ne -- on light that split the night and touched The Sound Of Si -- lence.
}

verseIII = \lyricmode {
  \set stanza = #"3." And in the nak -- ed light I saw ten thou -- sand peo -- ple, may -- be more. " " Peo -- ple talk -- ing with -- out speak -- ing, " " peo -- ple hear -- ing with -- out lis -- ten -- ing. Peo -- ple writ -- ing songs " " that voi -- ces " " nev -- er share and no one dare dis -- turb The Sound Of Si -- lence.
}

melody = \chordmode {
  a1:m g g a:m  a2:m c f c   c1  f2 c    c   f1 f c a:m c2 g1   a:m  a:m g g a:m  a2.:m c4 f2 c c1  f2 c c   f1 f c  a:m c g a:m a:m g g a:m a2.:m c4 f2 c c1 f2 c   c1 f f c  c2. a4:m  c1 g a:m a:m 
}

theFretBoards = \chordmode {
  \override FretBoards.FretBoard #'size = #'0.95
  \override FretBoard #'(fret-diagram-details finger-code) = #'none
  \set chordChanges = ##t      
  \melody
}

theChords = \chordmode {
  \set chordChanges = ##t
  \germanChords \melody
}

staffMelody = \relative c' {
  \key c \major
  \clef "treble"
  \time 4/4
  \repeat volta 2 { r8 a8 a a c c e e   d1   r8 g, g g b b d d   c1    r8 c c c e e g g   a2 g   r8 c, c c e e g g    a4 a8 g( g2) \time 2/4 r4 c,8 c   \time 4/4 a'4 a8 a( a4) a8 b    c4 c8 c b a4.    g2 g4 a8 g    e1  \time 2/4 r8 c c c   \time 4/4 g'2. r8 b,8   c a4.( a2) }   r4 a8 a c c e e   d1   r4  g,8 g b b d d c1    r4 c8 c e e g g   a4. g8( g2)   r4 c,8 c e e g g  a4. g8( g2)   \time 2/4 r4  c,8 c   \time 4/4 a'2. b4 c8 c( c4) b8 a( a4)   g2. r4    r2 r4. b,8   c c4.( c4.) c16 c    g'2. r8 b,8      c a4.( a2)        r4 a8 a c c e e   d1   r4  g,8 g b b d d c1     r4 c8 c e e g g  a4. g8( g2)    r4 c,8 c e e g g    a4. g8( g2)   r4 c,8 c e4 g8 g    a4 a8 a a a b4   c8 c c c b a( a4)    g2( g8) g a16 a g8     e2.( e8) b    c c4.( c4) c8 c    g'2. r8 b,8   c a4.( a2 a2) r2
}

\book {
  \header {
    tagline = ##f %print foot with version
    dedication = "trampsk√°, folk, country"
    title = \markup \center-column { "The Sound Of Silence" }
    poet = \markup { "Paul Simon" }
    meter = \markup { \tiny \italic "Moderato" }
    composer = "(Doprovod: 4, original Dm, kapo 5. poloha)"
  }

  \score {
    <<
      \override Score.SystemStartBar #'collapse-height = #1
      \context ChordNames { \theChords }
      \context FretBoards { \theFretBoards }
      \new Staff {
        \context Voice = "voiceMelody" { \staffMelody }
      }
      \new Lyrics = "lyricsI" {
        \lyricsto "voiceMelody" \verseI
      }
      \new Lyrics = "lyricsII" {
        \lyricsto "voiceMelody" \verseII
      }
      \new Lyrics = "lyricsIII" {
        \lyricsto "voiceMelody" \verseIII
      }
    >>
  }

}